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作 者:王猛[1] Wang Meng(School of Chinese Language and Literature,Southwest Minzu University,Chengdu,610041,Sichuan,China)
机构地区:[1]西南民族大学中国语言文学学院,四川成都610041
出 处:《民族学刊》2024年第2期88-96,131,共10页Journal of Ethnology
基 金:国家社科基金重大项目“中国古代各民族文学交融史料整理、研究与资料库建设”(22&ZD282);国家社科基金一般项目“元代杜诗学文献汇集、整理与研究”(23XZW006)阶段性成果。
摘 要:近年来,中国古代各民族交往交流交融研究方兴未艾。在文学交融领域,针对文学活动和文学作品的整理研究较多,针对文学交融“何以中华”的观念与路径梳理尚不充分。自孟子提出“创业垂统”,历代多以“垂统”或“统绪”来称述具有示范性与合法性的政治权力。“中华统绪,不绝如线”正是在此脉络下形成的政治文化表述。不同于现代文学观,先秦文学具有近于人文或文明的历史语境,以“中华统绪”作为理论话语追溯早期文学交融发生的历史语境,可从关联性维度关照中华文明中人文、地理、政治、风俗等混一的特性,从“天下-四方”的空间秩序生成辨析“夷夏”与“中国”的文化政治秩序,从而厘清先秦文学交融演进的路径、方向与秩序。This article considers the“Chinese unification pattern”to be a theoretical discourse that naturally emerged within the framework of Chinese cultural tradition,while also examining its early manifestations.Through this exploration,it seeks to trace the historical context of literary integration endeavors during the Pre-Qin period,with a specific focus on investigating the spatial fields of this integration,particularly within the conceptual frameworks of“All under Heaven”and the“four directions.”Additionally,it aims to examine the evolution of concepts such as“Yi-Xia”(barbarians and Chinese)and“China”itself.The genesis of spatial order in the Pre-Qin period can be traced back to the establishment of the concept that aligns the notions of“Son of Heaven”,the“Mandate of Heaven”,and“All under Heaven”,along with their corresponding orthodoxy,geographical alignment,and cultural logic.This conceptual framework unfolds in a logical sequence:Firstly,the acknowledgment of“heaven”as the source of legitimate rule,whereby the ruler attained the status of“the Son of Heaven”through the“Mandate of Heaven.”Subsequently,through the implementation of virtuous governance,the ruler issued decrees from the imperial court,ensuring the well-being of all realms.Following this,the governing order,together with royal“kindness and charity”,extended far from the central residence of the Son of Heaven,achieving a consensus in an order which“was revered by peoples from all corners of the world.”This idealized order emphasized the overlap and alignment of the celestial realm with the political and cultural spheres,forming a three-dimensional conceptualization of“orthodoxy”,“civilization”level,and imperial succession within the system of“the Son of Heaven”.It not only shaped the political succession patterns of emperors and their acquisition of the title of“All under Heaven”after the Qin and Han dynasties but it can be argued it also served as a distant prototype of the“Chinese
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