“以诗为文”观念演变论略--以《东坡志林》《陶庵梦忆》为例  

On the Evolution of the Concept of“Poetry as Prose”:Taking Dongpo Zhi Lin and The Dream of Tao Nunnery as Examples

作　　者：马晨燕 MA Chenyan(School of Literature,Anhui University,Hefei,Anhui 230601,China)

机构地区：[1]安徽大学文学院,安徽合肥230601

出　　处：《山东商业职业技术学院学报》2024年第4期104-109,共6页Journal of Shandong Institute of Commerce and Technology

摘　　要：“以诗为文”,即以散文文体为基础,化用吸收诗体特征成文。早期散文文体内部包含诗的因素,经由文体理论现世,散文逐步发展成熟,“以诗为文”的观念由模糊未分到清晰确立,散文的诗化倾向愈发明显,审美风格发生偏移。该观念凝聚于宋代,并在宋代完成长期新变定型,《东坡志林》的文本样态及审美风格显示了“以诗为文”这种文体渗透观念的跳跃发展。至晚明小品,诗文跨界融通的创作观念达到成熟阶段,张岱《陶庵梦忆》集小品之大成,化诗歌句式节奏之外在、情志之内涵、意境之神韵入文,笔调自然圆熟,冲淡太和。“Poetry as Prose”refers to incorporating poetic elements within a prose framework.Initially containing poetic elements itself,prose gradually developed through stylistic theory until this notion crystallized during Song Dynasty,culminating in a new literary form.The textual structure and aesthetic essence exhibited in Dongpo Zhilin exemplify significant advancements in integrating poetics into written expression.In late Ming Dynasty,the fusion between poetry and proses achieved maturity.Zhang Dai’s The Dream of Tao Nunnery successfully integrated rhythmic patterns and emotional depth from poems into its natural,mellow textual form,minimizing discordance.

关 键 词：以诗为文 晚明小品 《东坡志林》 《陶庵梦忆》 

分 类 号：I262[文学—中国文学]