从《人生》《平凡的世界》到《山海情》——兼论中国农村题材电视剧“改革开放叙事”的嬗变  

From Life and Ordinary World to Minning Town——On the Transformation of the"Reform and Opening up Narrative"in Chinese Rural TV Series

作　　者：张胜璋 张泽宇 ZHANG Shengzhang;ZHANG Zeyu(School of Humanities,Minjiang University,Fuzhou Fujian 350108,China;The Affiliated Hospital,Inner Mongolia Medical University,Hohhot Inner Mongolia 010030,China)

机构地区：[1]闽江学院人文学院,福建福州350108 [2]内蒙古医科大学附属医院,内蒙古呼和浩特010030

出　　处：《莆田学院学报》2024年第4期96-101,共6页Journal of putian University

基　　金：国家社会科学基金资助项目(22BZW044)。

摘　　要：从《人生》《平凡的世界》到《山海情》,生动展现了大历史观下中国农村题材作品改革开放叙事的嬗变。基于比较视野对《山海情》“改革开放叙事”的艺术表达进行分析:城乡关系从“城乡交叉地带”的二元对立到城乡一体化的融合发展;时代使命赋能主人公的青年成长;女性作为典范为国家决胜脱贫攻坚树立精神写照。《山海情》为农村题材作品提供了“改革开放叙事”的范式,具有重要的借鉴意义。From Life and Ordinary World to Minning Town,it vividly displays the transformation of the"reform and opening up narrative"in Chinese rural subject works from a grand historical perspective.An analysis of the artistic expression of the"reform and opening up narrative"in Minning Town from a comparative perspective:the relationship between urban and rural areas shifts from a binary opposition of"urban-rural crossover zones"to integrated development.The era's mission empowers the protagonist's youthful growth.Using women as a model,it sets a spiritual portrait for the country's decisive victory in poverty alleviation.Minning Town provides a paradigm of"reform and opening up narrative"for rural subject works,which has important reference significance.

关 键 词：《山海情》 当代农村题材 改革开放叙事 青年成长 脱贫攻坚 

分 类 号：J905[艺术—电影电视艺术]