从拉斯金思想的矛盾性看设计审美价值的新判断  

A New Judgment on the Aesthetic Value of Design from the Contradiction of Ruskin's Thought

作　　者：李超德[1] 

机构地区：[1]苏州大学艺术学院

出　　处：《创意与设计》2024年第4期6-11,28,共7页Creation and Design

基　　金：国家社科基金艺术学重大项目“设计美学研究”(19ZD23)。

摘　　要：文章通过“明灯:从莫里斯到麦金托什”特展所表达的学术思想,以“设计的明灯——从工艺美术运动到现代设计”为思考问题的逻辑走向,讨论了“艺术与手工艺运动”所处的新技术环境、约翰·拉斯金艺术思想具有的时代局限性和进步性、不同技术环境中面临技术变革境遇却有异曲同工之妙等话题。对AI时代的未来设计将是扁平化和符号化的时代提出了自己的价值判断标准,进而认识到设计审美真正的意义在于不同消费者的体验与体悟,AI时代设计的美学风格仍然重要。Through the academic ideas expressed in the special exhibition"The Light:From Morris to McIntosh",this article takes"The Light of Design-From the Arts and Crafts Movement to Modern Design"as the logical direction of thinking,and discusses topics such as the new technological environment in which"art and crafts are remote",the limitations and progressiveness of John Ruskin's artistic ideas,and the similarities in the face of technological changes in different technological environments.We have put forward our own value judgment standards for the future design of the AI era,which will be a flat and symbolic era.We have realized that the true meaning of design aesthetics lies in the experience and understanding of different consumers,and the aesthetic style of design in the AI era is still important.

关 键 词：拉斯金 设计思想 矛盾性 设计审美 价值判断 

分 类 号：J501[艺术—艺术设计]