新工笔画中的色彩应用  

On the Application of Color in New Gongbi Painting

作　　者：王海庆 Wang Haiqing(Shanghai University)

机构地区：[1]上海大学

出　　处：《色彩》2024年第6期55-57,共3页Fashion Color

摘　　要：在当代中国画创作中,新工笔画的色彩表现出与传统工笔画截然不同的特征。本论文围绕这一问题,分三个部分深入研究新工笔画中的色彩应用。第一部分探讨了工笔画从传统到现当代的视觉语言变化,分析了历史背景、技法演变对色彩使用的影响。第二部分通过个案分析的方式,具体阐释了几位新工笔画家的代表作品,详细解析他们在色彩上的创新手法与独特风格。第三部分讨论了新工笔画的色彩面貌对当代国画创作的影响,包括色彩观念的转变、技法的融合以及对未来国画发展的启示。In contemporary Chinese painting creation,the color of new Gongbi painting exhibits characteristics markedly different from traditional Gongbi painting.This paper focuses on this issue,conducting an in-depth study on the application of color in new Gongbi painting in three parts.The first part explores the visual language evolution of Gongbi painting from traditional to contemporary times,analyzing the historical background,evolution of techniques,and the influence of cultural factors on color usage.The second part employs case studies to specifically elucidate representative works by several new Gongbi painters,detailing their innovative techniques and unique styles in color application.The third part discusses the impact of color aesthetics in new Gongbi painting on contemporary Chinese painting creation,including shifts in color concepts,technique integration,and insights for the future development of Chinese painting.

关 键 词：新工笔 当代国画 色彩 

分 类 号：J212[艺术—美术]