《洛神赋图》的色彩意境表达  

The Expression of Color Artistic Conception in"Nymph of the Luo River"

作　　者：徐栎阳 Xu Yueyang(Central Academy of Fine Arts)

机构地区：[1]中央美术学院

出　　处：《色彩》2024年第6期58-60,共3页Fashion Color

摘　　要：《洛神赋图》作为中国美术史上备受推崇的人物画典范之一,其卓越的艺术造诣对后世的艺术创作实践产生了深远的影响,具有举足轻重的地位。文章结合魏晋南北朝时期的画学理论,通过分段解读《洛神赋图》的场景画面,对其色彩运用及意境营造进行深入剖析,旨在探究中国传统人物画艺术的精髓与魅力,为当代叙事性绘画艺术的创新与发展提供借鉴与启示。As one of the highly respected figure paintings in the history of Chinese art,"Nymph of the Luo River"has a pivotal status and exerted a far-reaching influence on the artistic creation practice of later generations.This article combines the painting theory of the Wei,Jin,and Northern and Southern Dynasties periods,and through segmented interpretation of the scenes in the"Nymph of the Luo River",it conducts a thorough analysis of its color application and artistic conception creation.The purpose is to explore the essence and charm of traditional Chinese figure painting art,providing reference and inspiration for the innovation and development of contemporary narrative painting art.

关 键 词：《洛神赋图》 色彩 意境 

分 类 号：J212[艺术—美术]