从陈洪绶到华嵒——《西园雅集图》的色彩表现研究  

From Chen Hongshou to Hua Rong--A Study of the Color Expression of the"Elegant Collection of the West Garden"

作　　者：潘尔歌 Pan Erge(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《色彩》2024年第6期76-78,116,共4页Fashion Color

摘　　要：“西园雅集”这一经典母题肇始北宋,兴盛于明清时期,在众多大师创作的《西园雅集图》中有一幅尤为特殊,即陈洪绶绘、华嵒补绘《西园雅集图》。这幅跨越七十余年才完成的作品呈现出两位画家在审美趣味与色彩表现的不同。本文将首先梳理陈洪绶绘、华嵒补绘的《西园雅集图》的笔墨、色彩和款识;其次,理清“西园雅集”图像基础;再次,结合华嵒独立创作的2幅《西园雅集图》讨论陈洪绶与华嵒在设色上的不同之处,揭示其不同色彩表现方式,探析在这个过程中展示出的审美趣味和心理变化。The classic motif of"the Elegant Collection of the West Garden"originated in the Northern Song Dynasty,especially flourished in the Ming and Qing dynasties,and one of the"the Elegant Collection of the West Garden"created by many masters is particularly special,namely Chen Hongshou and Hua Rong repainted"the Elegant Collection of the West Garden".This work,which spans more than 70 years,shows the difference in aesthetic taste and color expression between the painters of the Ming and Qing dynasties.This article will first sort out the brushwork,color and style of the"Elegant Collection of the West Garden"painted by Chen Hongshou and repainted by Hua Rong;Secondly,this paper clarifies the image basis of"the Elegant Collection of the West Garden"and combines the remaining three"the Elegant Collection of the West Garden"independently created by Hua Rong to discuss the differences between Chen Hongshou and Hua Rong in coloring,revealing that the essence of different color expressions is that the viewer's aesthetic taste and psychology have changed.

关 键 词：西园雅集 陈洪绶 色彩运用 华嵒 

分 类 号：J212[艺术—美术]