东西方文化视域下“废墟美学”在现代服装设计中的色彩情感表达  

Under the Eastern and Western Culture Visual Field"Ruins Aesthetics"in the Modern Clothing Design Color Emotion Expression

作　　者：贾昊桐 袁大鹏[1] Jia Haotong;Yuan Dapeng(Wuhan Textile University)

机构地区：[1]武汉纺织大学

出　　处：《色彩》2024年第6期79-82,共4页Fashion Color

摘　　要：每况愈下的生存环境,引起人们的反思与重视,近年来“废墟美学”再一次出现在大众视野,关于“废墟美学”的服装品牌也纷纷出现。本文通过文献研究法、案例分析法等研究方法,探究“废墟美学”的含义与东西方对“废墟美学”的不同感悟,将东西方“废墟美学”在现代服装中色彩的表达形式进行归纳整理,得出由于文化差异导致东西方“废墟美学”观念不同,进一步影响了东西方“废墟美学”在现代服装设计中的色彩情感表达。无论是西方“废墟美学”观念还是东方“废墟美学”观念都丰富了服装色彩本身的文化精神与文化内涵。The deteriorating living environment,causing people's reflection and attention,in recent years,"Ruins Aesthetics"once again appeared in the public view,"Ruins Aesthetics"clothing brands have also emerged.Through the methods of literature study and case analysis,this paper explores the meaning of"Ruins Aesthetics"and the different understandings of"Ruins Aesthetics"between the east and the west,this paper sums up and arranges the expression forms of the colors in the modern clothing of the east and the west"Ruins Aesthetics",and draws a conclusion that because of the cultural differences,the east and the west"Ruins Aesthetics"have different ideas,it further influences the expression of color emotion in the modern clothing design of the east and the west"Ruins Aesthetics".Both the western concept of"Ruins Aesthetics"and the eastern concept of"Ruins Aesthetics"have enriched the cultural spirit and cultural connotation of clothing color itself.

关 键 词：“废墟美学” 色彩情感 服装设计 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]