色彩美学视阈下的传统工艺色彩再运用研究——以满族饰品色彩为例  

Traditional Craft Color Reapplication Research from the Perspective of Color Aesthetics--Taking Manchu Jewelry Color as an Example

作　　者：华永明[1] 李芳[1] Hua Yongming;Li Fang(Changji University)

机构地区：[1]昌吉学院

出　　处：《色彩》2024年第6期89-91,共3页Fashion Color

基　　金：教育部产学合作协同育人项目《基于云平台的国画课程教学改革研究》成果(项目编号:220505635262041)。

摘　　要：随着社会的发展以及人们审美水平的提升,传统色彩构成体系已经不能满足人们对色彩应用的需求。深入了解和把握色彩变化的规律,从而探知色彩设计的基本规律,避免在现代色彩设计上出现过度随意性和偶发性。文章首先阐述满族传统饰品分类和特点,其次对满族传统饰品色彩进行分析,最后提出满族饰品色彩再设计的思路。本研究以满族饰品的色彩为例,深入探讨了色彩在传统工艺中的运用及其现代再创造的可能性。满族饰品以其独特的色彩搭配和文化内涵著称,其色彩使用不仅体现了满族的审美习惯和文化意识,也蕴含了深厚的历史和文化价值。With the development of society and the improvement of people's aesthetic levels,the traditional color composition system can no longer meet the needs of color application.By deeply understanding and grasping the rules of color changes,we can explore the basic principles of color design,avoiding excessive randomness and contingency in modern color design.This article first elaborates on the classification and characteristics of traditional Manchu accessories,analyzes the colors of traditional Manchu accessories,and finally proposes ideas for the redesign of Manchu accessory colors.This study takes the colors of Manchu accessories as an example to explore the application of color in traditional crafts and the possibilities of modern reinterpretation.Manchu accessories are renowned for their unique color combinations and cultural significance,reflecting not only the aesthetic habits and cultural awareness of the Manchu people,but also containing profound historical and cultural values.

关 键 词：满族 色彩美学 工艺与纹饰 色彩 

分 类 号：TS941.3[轻工技术与工程—服装设计与工程]