论康巴生态小说的物象选择  

On the Object Selection of Ecological Novels by Writers in Kham——Taking the Novels of Alai and Yin Xiangdong as an Example

作　　者：马迎春[1] Ma Ying-chun(Sichuan Minzu College,Kangding,Sichuan 626001,China)

机构地区：[1]四川民族学院,四川康定626001

出　　处：《四川民族学院学报》2024年第3期62-68,共7页Journal of Sichuan Minzu College

基　　金：2020年度国家西部社科基金项目“康巴作家群的生态意识及其艺术表达研究”(20XZW034)。

摘　　要：康巴文学以高度的审美价值和责任担当汇入了当代中国文学主潮,在批评界掀起了一股研究热潮,不少研究者就其中蕴含的生态思想展开论述,但没有涉及到生态小说的艺术表达策略研究。本文从物象选择角度论述康巴生态小说的叙事策略,试图弥补生态批评只重内容不重形式的缺憾。从物象选择角度看,康巴作家生态小说中有功能性、主题性和道具性三类物象,不同类型物象承担着不同的叙事功能,体现着作家的艺术策略,它们协同作用表达生态文学主题。The literature in Kham,with its high aesthetic value and sense of responsibility,has merged into the mainstream of contemporary Chinese literature,sparking a research boom in the critical commu-nity.Many researchers have discussed the ecological ideas in these works,but have not touched on the artistic expression strategies of ecological novels.This article discusses the narrative strategy of ecological novels in Kham from the perspective of object selection,attempting to compensate for the deficiency of ecological criticism that only focuses on content rather than form.From the perspective of object selec-tion,there are three types of objects in ecological novels from this region:function,theme,and prop.Dfferent types of objects bear different narrative functions,reflecting the author's narrative strategy,and they work together to express the theme of ecological literature.

关 键 词：生态小说 康巴作家 功能性物象 主题性物象 道具性物象 

分 类 号：I206.7[文学—中国文学]