陈映真第三世界文学视野的“时空体”研究  

From Hong Kong,China to Singapore and Malaysia:A Study of Chen Yingzhen's Third World View of Literature as a“Chronotope”

作　　者：朱崇科 张灵馨 ZHU Chongke;ZHANG Lingxin

机构地区：[1]中山大学中国语言文学系,广东珠海519082

出　　处：《台湾研究集刊》2024年第4期111-126,共16页Taiwan Research Journal

摘　　要：岭南香港地区在1960年代至1970年代为陈映真提供了发表与舆论支持的空间,日后更成为其向中国内地探进的中转地。1980年代初期,陈映真的小说《云》《将军族》以跨文类形式融入香港地区的剧社演出与电影制作。在同时段的“南方之南”,新马文艺副刊及旗下的文学奖评审将陈映真列为常宾,陈映真与在台大马学生的实地关联也令其进入马华文学的批评场域。将南方区域的文化与历史作为资源和方法,建设开放的世界华文文学公共领域,是陈映真超越本土、打破战后以跨国资本主义经济体系为首的西方支配格局的尝试。当其融入“南方”的文学发展建制,提供第三世界文学的理论视野,自身也已成为一种文化资源。From the 1960s to the 1970s,Hong Kong region provided Chen Yingzhen with a space for publication and public opinion support.Later it further served as a gateway for his exploration into the Chinese mainland.In the early 1980s,Chen's novels Cloud and Generals were adapted into Hong Kong's theater and film productions.During the same period,his works gained recognition in literary supplements in Singapore and Malaysia,where he was invited to serve as a judge for the Chinese literature prize.Interactions with Malaysian students in Taiwan region also led to his involvement in the field of Malaysian Chinese literary criticism.By using the southern region as a resource and a method,Chen aimed to construct an open public field of world Chinese literature,challenging the dominance of Western narratives shaped by the postwar transnational capitalist economic system.Through his engagement in the literary development system of the“South”and his theoretical contribution to Third World Literature,Chen Yingzhen became a cultural resource himself.

关 键 词：陈映真 现代主义 剧社 文学奖 第三世界文学 

分 类 号：I206[文学—中国文学]