观众身体与博物馆的相遇——基于德勒兹身体美学理论的思考  

The Encounter Between Audience and Museum——Thinking Based on Deleuze’s Theory of Somaesthetics

作　　者：朱颖[1] 叶康铧 Ying Zhu;Kanghua Ye

机构地区：[1]广东外语外贸大学新闻与传播学院

出　　处：《新媒体与社会》2024年第1期321-331,402,共12页New Media and Society

摘　　要：本文基于德勒兹的身体哲学观点,探讨博物馆观众身体与博物馆空间之间的关系。作为公共文化场所的博物馆通过空间规划、展品控制等方式影响观众,观众作为“无器官的身体”又具有流动性和创造性。观众的“无器官的身体”用于抵抗博物馆空间对其的限制,博物馆为观众创造“无器官的身体”的体验空间,发挥观众在博物馆中的创造力,从而实现个人价值观的解放与重塑,推动观众对于历史和当今社会的思考。Based on Deleuze’s philosophy of the body,the article delves into the relationship between the museum audience’s bodies and the museum space.Museums,as public cultural venues,exert influence over their audience through spatial planning and exhibit curation,among other means.The audience,characterized as a“Body without Organs”,possesses fluidity and creativity.“Body without Organs”of the audience is employed to resist the constraints imposed by the museum space.Museums create an experiential space for the audience’s“Body without Organs”to unleash their creativity within the museum,thereby facilitating the liberation and reevaluation of personal values.This,in turn,prompts the audience to contemplate history and contemporary society.

关 键 词：博物馆 观众 德勒兹 无器官的身体 

分 类 号：G260[历史地理—考古学及博物馆学]