蒋兆和中西结合的水墨人物画与20世纪中国人物画的变革  

Jiang Zhaohe's Integration of Chinese and Western Styles in Ink Figure Painting and the Transformation of 20^(th) Century Chinese Figure Painting

作　　者：陈苏 Chen Su

机构地区：[1]广西艺术学院中国画学院/漓江画派学院,广西南宁530007

出　　处：《艺术探索》2024年第3期42-46,共5页Arts Exploration

摘　　要：蒋兆和是20世纪中国人物画领域的重要画家。他的绘画实践对20世纪中国人物画的变革与现代转型起着重要的推动作用,主要体现在两个方面:一是蒋兆和的绘画作品关注现实,描绘现实,拓展了传统人物画的表现内容与精神内核;二是将中国画的笔墨与西方绘画的素描进行结合,改变了传统人物画的技法语言与审美观念。Jiang Zhaohe holds an important place within the field of 20th-century Chinese figure painting.How his painting practice significantly contributed to the transformation and modern transition of Chinese figure painting during that era is primarily reflected in two aspects.First,his works focus on and depict reality,and thus expand the expressive content and spiritual core of traditional figure painting.Second,his art constitutes a harmonious blend of Chinese brush-and-ink techniques and Western sketching methods,and hence changes the technical language and aesthetic concepts of traditional figure painting.

关 键 词：蒋兆和 中西结合 水墨人物画 传统人物画变革 

分 类 号：J212[艺术—美术]