博物馆展品视频点交流程与问题研究——基于“信史与国工:中国陶瓷绘画特展”展品点交的拓展  

The Research of Process and Problem in Video Delivery of Museum Exhibits:The Expansion Based on the Exhibit Delivery of Authentic History and National Skillful Master:Special Exhibition of Chinese Ceramic Painting

作　　者：黄艳[1] Huang Yan(Crafts Museum,China Academy of Art,Hangzhou,310024)

机构地区：[1]中国美术学院民艺博物馆,杭州310024

出　　处：《博物院》2024年第2期128-136,共9页Museum

摘　　要：今天的博物馆发展飞速,馆际交流日渐频繁,无论国内还是国际,联合办展、相互借展的频次日益增长。展览必要且重要的一环即展品点交。展品点交的形式有现场点交、代点交和视频点交三种,当前视频点交多作为现场点交遇到特殊情况时的替补。行业暂未出台关于视频点交的标准规范,贫乏的视频点交经验表明其较之现场点交仍存有诸多问题。但视频点交具有节约资源、可建立完整的点交数字档案等优势,是值得发掘和探讨的。本文以中国美术学院民艺博物馆2023年举办的“信史与国工:中国陶瓷绘画特展”中的一场视频点交为主要案例,结合当前博物馆、美术馆等艺术领域的实践,尝试探讨视频点交的规范化流程,并分析视频点交存在的问题。Today,with the rapid development of museums,inter museum exchanges at home and abroad are becoming increasingly frequent,and the frequency of joint exhibitions and mutual borrowing is increasing.A necessary and important part of exhibitions is the check of exhibits.There are three forms of exhibition delivery:on-site delivery,proxy delivery,and video delivery.Currently,video delivery is only used as a substitute for on-site delivery in special situations.Also,there are not yet relevant standards and specifications introduced for video delivery on the industry.At present,the limited experience of video delivery indicates that it still has many problems compared to on-site delivery.Because of advantages of saving resource and establishing a complete digital record of delivery,it is worth discovering and exploring.The paper hopes to explore the standardized process of video delivery based on Authentic History and National Skillful Master:Special Exhibition of Chinese Ceramic Painting held by Crafts Museum of China Academy of Art and practical experience of all kinds museums and art galleries and so on,analyzes and considers the problems existing in video delivery.

关 键 词：博物馆 展品 视频点交 规范流程 数字档案 

分 类 号：G265[历史地理—考古学及博物馆学]