郁达夫与《迟桂花》中的两个自我  

YU Dafu and the Two Selves in Sweet Osmanthus in Belated Bloom

作　　者：陈晓桐 CHEN Xiaotong(College of Liberal Arts,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《黎明职业大学学报》2024年第2期31-36,53,共7页Journal of LiMing Vocational University

摘　　要：1932年创作《迟桂花》前后,郁达夫在散文与旧体诗创作中多次表达了自己的隐逸之情。在《迟桂花》中,此种情绪仍有所出现,但随着小说人物郁先生重回上海而消失,这使得小说虽有淡淡愁绪,但最终却呈现出异于此时期创作的积极色彩。结合历史语境,分析文本中具有自叙性质的翁则生、郁先生二人,有助于透视郁达夫的双重自我,解读其面对现实人生时的不同态度及其背后中西混杂的价值观影响,以此探究具有现代性自我的郁达夫本人,在面对新的政局变化及现实生活对精神与物质的双重压迫时的道路选择,观察郁达夫自我的反思性投射。YU Dafu expressed his feelings of seclusion several times in his prose and old-style poetry before and after he wrote Sweet Osmanthus in Belated Bloom in 1932.In the novel,the sentiment has lingered until the return of the novel’s character,Mr.YU,to Shanghai,ending the novel with a positive departure from the period in which it was written,despite its faint sorrow.Given the self-referential nature of the text,the different attitudes of WENG Zesheng and Mr.YU were analyzed in the historical context to display the dual selves of YU Dafu,interpret his responses to the realities of life and uncover the influence of the mixed Chinese and Western values behind.It is an attempt to explore how YU Dafu himself,who had constructed his modern self,choses his path in the midst of new political changes and the double oppression of real life on spiritual and material matters.

关 键 词：《迟桂花》 郁达夫 两个自我 忏悔 现代性 

分 类 号：I246[文学—中国文学]