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作 者:刘占召 Liu Zhanzhao(School of Literature,Shandong University,Jinan 250100,China)
出 处:《浙江大学学报(人文社会科学版)》2024年第7期136-146,共11页Journal of Zhejiang University:Humanities and Social Sciences
基 金:国家社科基金后期资助一般项目(22FZWB054)。
摘 要:《史通》无宋本传世,明张之象本虽据宋本刊刻,但改动了宋本文字和版式;清卢文弨据影宋抄本作《史通校正》,仅抄录部分宋本文字。二者都不能完好展示宋本面貌。明代乌丝栏抄本《史通》作者署名刘氏,这是汉唐时期常见的作者署名方式,体现了刘知幾谦逊的著述态度;卷首序言、目录和前五章正文连续抄写,是唐代流行的卷子装;书中保留大量唐代异体字,亦有避唐讳的痕迹;该书避宋讳至宋孝宗赵眘,底本年代为南宋高宗时期,是今存与宋本渊源最近、最接近《史通》文本原貌的版本。清人何焯校勘《史通》,其栏下校勘记有350条,与乌丝栏抄本大多相同,当据宋抄本所作,这是与宋本相关的又一重要资料。作为通行本的清浦起龙《史通通释》大量臆改和美化文本,造成许多重要学术信息的遗漏和误读,违背了刘知幾的原意和古籍整理的学术规范,乌丝栏抄本对校正此类错误提供了可靠的版本依据。No Song version of Shitong has been handed down to the present world,but there are several well-known materials related to it.One is Zhang Zhixiang’s engraved copy in the Ming Dynasty,which was basically printed and engraved according to Qin Zhonghan’s private home collection of Song version in Liangxi,but the problem is that the textual pattern of the Song version has been changed a lot.The other important one is Lu Wenchao’s book named Shitong Jiaozheng in the Qing Dynasty.He made 748 entries of collations,which was totally based on the reprinted version of the Song Dynasty by Mr.Zhu in Huating.In spite of this,the two above-mentioned materials cannot fully show the general features of the Song version.Furthermore,there are serious errors in the engraved versions of the Ming and Qing Dynasties,which differ from the original version and thus many academic disputes have emerged.Taiwan collection of the Wusilan manuscript version is the one that is closest to the original Song version and also closest to the original features of Shitong.The reasons are as follows:firstly,the author’s signature is Liu(surname only),which is a very popular way of signature in the works of commentary on Confucian classics in the Han and Tang dynasties,demonstrating Liu Zhiji’s humble attitude of academic research and his ideal of developing unique theoretical system or thoughts.Secondly,the preface,the table of the contents and the text of the first five chapters were copied continuously,which was a popular binding pattern legacy in the Tang Dynasty.Thirdly,more than 400 different characters which existed before the Tang and Song dynasties were preserved in this version,and in turn can confirm Liu Zhiji’s original intention of avoiding the Tang taboos.Fourthly,the Wusilan version tried to avoid using the Song taboos,such as Yin(胤),Jing(镜),Wu(戌),Yin(殷),Jing(竟),Jing(敬),Heng(恒),Huan(桓),Gou(构),etc,but not avoiding the Emperor Xiaozong’s taboo,so the time of this version should be Emperor Gaozong’s period
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