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作 者:徐璐 Xu Lu(Taiyuan Museum,Taiyuan,030021)
机构地区:[1]太原市博物馆,太原030021
出 处:《陶瓷研究》2024年第3期34-36,共3页Ceramic Studies
摘 要:清康熙时期倡导诗文礼仪、设立学校,广兴科举,尊孔崇儒的社会习气蔚然成风。文房用瓷在这样一种比较宽松的文化政策下兴盛发展,以青花笔筒最为出色。康熙青花笔筒造型多样,品种丰富,纹饰精美,尤其是笔筒上装饰长篇诗文为一大特色。本文从康熙时期青花笔筒的造型、釉色、纹饰和款识等方面着手从而考证太原市博物馆藏清康熙青花寻菊图笔筒的具体烧造年代,而笔筒上《冒雨寻菊序》以及钤青花篆体“云山主人”方形闲章为研究康熙青花笔筒提供了新材料。The Kangxi Emperor advocated the etiquette of poetry,the establishment of schools,the popularization of imperial examinations,and the social custom of respecting Confucius and worshiping Confucianism became a common trend.The porcelain used in the study thrived under such a relatively loose cultural policy,and the blue and white pen container was the most outstanding.Kangxi blue and white pen container has various shapes,rich varieties and beautiful patterns,especially long poems decorated on the pen container.By introducing the shape,glaze,pattern and sense of the blue and white pen container in Kangxi period,this paper investigates the specific age of the burning of the blue and white picture holder in Taiyuan Museum.The poem "Maoyu Xunjvxv" on the pen container and the"Master of Yunshan" square seal provide new materials for the study of the blue and white pen container.
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