从“立象尽意”“得意忘象”到“境生象外”——浅论中国现代陶艺的艺术表现  

From "Expressing the Meaning through Images" and "Forgetting the Image in Favor of the Meaning" to "Creating the Image outside the Realm"——A Brief Discussion on the Artistic Expression of Modern Chinese Ceramic Art

作　　者：庄振鹏 刘如 Zhuang Zhenpeng;Liu Ru(Yantai Nanshan University,Ji'nan,265713;Shandong University of Arts,Ji'nan,250000)

机构地区：[1]烟台南山学院,济南265713 [2]山东艺术学院,济南250000

出　　处：《陶瓷研究》2024年第3期115-117,共3页Ceramic Studies

摘　　要：本文围绕“中国现代陶艺”的概念与内涵、基本审美特征,利用中国古典美学“立象尽意”“得意忘象”“境生像外”等审美理论,结合“中国现代陶艺”创作实际,综合运用理论研究法、比较分析法及图像学方法,试归纳总结出“中国现代陶艺”的美学原理、艺术表现和精神意蕴,旨在为研究“中国现代陶艺”的审美特征和艺术表现研究提供具有一定价值的探索。This article revolves around the concept,connotation,and basic aesthetic characteristics of "Chinese modern pottery",using aesthetic theories such as "Expressing the meaning through images","Forgetting the image in favor of the meaning",and "Creating the image outside the realm" in classical Chinese aesthetics.Combining with the actual creation of "Chinese modern pottery",this article comprehensively uses theoretical research methods,comparative analysis methods,and image studies to summarize the aesthetic principles,artistic expressions,and spiritual connotations of "Chinese modern pottery",aiming to provide valuable exploration for the study of the aesthetic characteristics and artistic expression of "Chinese modern pottery".

关 键 词：中国现代陶艺 审美精神 艺术表现 

分 类 号：J527[艺术—艺术设计]