当代艺术中对青花釉里红花鸟元素的再创作  

The Re-Creation of the Flower and Bird Elements in the Underglaze Blue and Underglaze Red in Contemporary Art

作　　者：陈叶梦 徐子豪 Chen Yemeng;Xu Zihao(Chen Yemeng Ceramic Art Studio,Jingdezhen,333000;Jingdezhen Ceramic University,Jingdezhen,333403)

机构地区：[1]陈叶梦陶瓷艺术工作室,景德镇333000 [2]景德镇陶瓷大学,景德镇333403

出　　处：《陶瓷研究》2024年第3期133-135,共3页Ceramic Studies

摘　　要：本文系统探讨了青花釉里红作为中国传统陶瓷工艺的重要性,并深入分析了在当代艺术中对青花釉里红花鸟元素的再创作现象。首先,通过对青花釉里红的艺术渊源进行研究,揭示了其在中国传统陶瓷工艺中的独特地位和价值,以及在历史上的发展历程、花鸟图案的艺术特征与象征意义。其次,分析了当代艺术家如何再现、改编青花釉里红并结合现代审美和技术进行重新诠释,以及对这种再创作在文化和社会层面的多重意义和影响。最后,深入研究了当代艺术作品中花鸟元素的再创作方法与意图,并考察了这种艺术再创作给传统文化带来的新生命力和挑战。This paper systematically discusses the importance of underglaze blue and underglaze red as a traditional Chinese ceramic craft,and deeply analyzes the phenomenon of re-creation of the flower and bird elements in the underglaze blue and underglaze red in contemporary art.First of all,through the study of the artistic origin of underglaze blue and underglaze red,the unique status and value of underglaze blue and underglaze red in traditional Chinese ceramic craftsmanship are revealed,as well as its historical development process,artistic characteristics and symbolic significance of flower and bird patterns.Secondly,this paper analyzes how contemporary artists reproduce and adapt the underglaze blue and underglaze red and combine it with the present.The reinterpretation of aesthetics and techniques,as well as the multiple meanings and influences of this re-creation on a cultural and social level.Finally,the methods and intentions of the re-creation of flowers and birds in contemporary art works are deeply studied,and the new vitality and challenges brought by this artistic re-creation to traditional culture are examined.

关 键 词：青花釉里红 花鸟元素 再创作 当代艺术 

分 类 号：J527[艺术—艺术设计]