谈建盏的简约美  

The Beauty of Simplicity Jianzhan

作　　者：暨子文 Ji Ziwen(Chuangutang(Nanping)Jianzhan Culture Co.,Ltd.,Nanping,353000)

机构地区：[1]传古堂(南平)建盏文化有限公司,南平353000

出　　处：《陶瓷研究》2024年第3期151-153,共3页Ceramic Studies

摘　　要：建盏作为中国传统茶文化的代表,其简约雅致的审美特质值得深入探讨。本文从建盏的历史发展、审美特点及中日比较等角度,阐释建盏简约美的内涵及独特价值。建盏源于宋代斗茶文化,其造型、工艺与当时审美相契合,体现了传统思想。在历史变迁中,建盏不断传承创新,成为中国文化重要载体。建盏的简约设计蕴含丰富审美价值,摒弃烦琐装饰,强调材料本真美,带来视听触觉等层面的审美体验。总之,建盏简约美的内涵丰富深厚,包含了物质和精神层面的价值。研究建盏的审美特质,有助于传承中国茶文化,也为当代设计提供启示。As a representative of traditional Chinese tea culture,Jianzhan's aesthetic characteristics of simplicity and elegance are worth exploring in depth.This article explains the connotation and unique value of Jianzhan's minimalist beauty from the perspectives of its historical development,aesthetic characteristics,and comparison between China and Japan.Jianzhan originated from the tea fighting culture of the Song Dynasty,and its design and craftsmanship were in line with the aesthetic of that time,reflecting traditional ideas.In the process of historical changes,Jianzhan has continuously inherited and innovated,becoming an important carrier of Chinese culture.The minimalist design of Jianzhan embodies rich aesthetic value,abandoning cumbersome decoration and emphasizing the true beauty of materials,bringing aesthetic experiences such as audio-visual and tactile aspects.In short,Jianzhan's simple and beautiful connotation is rich and profound,including material and spiritual values.Studying the aesthetic characteristics of Jianzhan can help inherit Chinese tea culture and provide inspiration for contemporary design.

关 键 词：建盏 简约美 宋代茶文化 传统审美 

分 类 号：J527[艺术—艺术设计]