斩宵小,济世道——评浙昆《壮哉少年》  

Beheading the Villains and Helping the World:Review of the Majestic Youth

作　　者：谢雍君[1] XIE Yong-jun(Institute of Chinese Opera Studies,Chinese National Academy of Arts,Beijing 100012)

机构地区：[1]中国艺术研究院戏曲研究所,北京100012

出　　处：《艺术百家》2024年第3期77-81,91,共6页Hundred Schools In Arts

摘　　要：浙昆的《壮哉少年》对话经典,寻绎经典作品内涵的舞台新密码,张扬昆曲传统的人文关怀。全剧以裴舜卿为主角,重新阐发李慧娘鬼魂复仇的故事,在历史真实和艺术虚构的交织中凸显思想性、传奇性和趣味性,青年的热血与悲壮、佞臣的奸诈与专横,在舞台上得到淋漓尽致的展现,充满道义和人性的光芒。全剧关注大众审美趣味,好看、通俗,富于诗意,呈现出鲜明的浙派风格。主演王恒涛脱颖而出,唱做念表形神兼备,本工、反串兼擅,为该戏增光添彩。新时代戏曲创作步入多元化格局,戏曲经典作品的多维阐释拓宽了戏曲创作边界,从方法论上为戏曲话语体系的构建提供了参考的价值。Zhejiang Beijing opera and Kun opera art centre's opera the Majestic Youth dialogues with the classics,seeks a new stage code for the connotation of the classics,and carries forward the humanistic concern of the Kun opera legend.The play reinterprets the story of Li Huiniang's ghostly revenge with Pei Shunqing as the protagonist,highlighting the ideological,legendary and interesting nature of the work in the interweaving of historical truth and artistic fiction.The fervour and tragedy of youth,and the treachery and arbitrariness of sycophants are fully displayed on stage,full of moral righteousness and the light of humanity.The whole play pays attention to the aesthetic interests of the public,is nice to look at,popular and poetic,and presents a distinctive style of the Zhejiang school.Wang Hengtao,the main actor,stands out for both acting and martial arts,and is good at opposed characters,which adds glamour to the play.The creation of opera in the new era has stepped into a diversified pattern,and the multi-dimensional interpretation of opera classics has broadened the boundaries of the creation of opera,and provided the value of reference for the construction of the discourse system of opera in terms of methodology.

关 键 词：复仇 侠义 传奇性 浙派风格 人文关怀 

分 类 号：J805[艺术—戏剧戏曲]