解构与重塑:探索戏曲新编历史剧装扮的营造方略  

Deconstructing and Reshaping:Exploring the Strategy of Creating Dress Up for Newly Compiled Historical Dramas in Traditional Chinese Opera

作　　者：张晔 梁怡迪 ZHANG Ye;LIANG Yi-di(Stage Design Department,Shanghai Theatre Academy,Shanghai 200040)

机构地区：[1]上海戏剧学院舞台美术系,上海200040

出　　处：《艺术百家》2024年第3期92-98,共7页Hundred Schools In Arts

基　　金：2021年度国家社科基金艺术学重大项目“中国戏曲服饰研究”(项目编号:21ZD14)阶段性成果之一。

摘　　要：现今凡戏曲新编历史剧,无论什么题材,在装扮营造方面均存在旧有程式与现代创新之间的权衡问题。如何守正创新一直是戏曲新编历史剧装扮发展的核心问题。文章尝试以解构与重塑理论来开拓创作的思维空间,以多元视角探索戏曲装扮在当代的营造方略。戏曲新编历史剧装扮营造以解构为理论支撑,以重塑为观念更新,以整合为实施路径。文章在解构理论的支撑下,通过遵、寻、融的营造理念重塑,取、移、借的实施路径整合,探索当下戏曲新编历史剧装扮守正创新的营造方略。Nowadays,any newly edited historical drama in traditional Chinese opera,regardless of its theme,has a trade-off between old procedures and modern innovation in terms of decoration and creation.How to uphold integrity and innovate has always been the core issue in the development of historical drama costumes for new editions of traditional Chinese opera.Attempt to deconstruct and reshape,broaden the creative thinking space,and explore the contemporary construction strategies of traditional Chinese opera costumes from diverse perspectives.The creation of costume for newly edited historical dramas in traditional Chinese opera is supported by deconstruction,reshaped as conceptual renewal,and integrated as an implementation path.Under the support of deconstruction theory,by reshaping the creation concept of following,seeking,and integrating,and integrating the implementation path of taking,transferring,and borrowing,we explore the creation strategy of maintaining integrity and innovation in the decoration of new historical dramas in contemporary Chinese opera.

关 键 词：解构 重塑 整合 戏曲新编历史剧 装扮营造 

分 类 号：J809[艺术—戏剧戏曲]