论施蛰存小说城乡叙事的风景书写  

On the Landscape Writing of Urban and Rural Narratives in Shi Zhecun's Novels

作　　者：路棣 Lu Di(College of Humanities,Shanghai Normal University,Shanghai 200233)

机构地区：[1]上海师范大学人文学院,上海200233

出　　处：《河西学院学报》2024年第4期64-71,共8页Journal of Hexi University

摘　　要：施蛰存的城乡叙事小说呈现出双重空间的视角转换,透过主体之眼,大量的风景书写突破了传统桎梏,在现代文本中承担起新的叙事功能。风景作为内在心理的外在表征,与“乡下人”“城里人”始终处于紧密的对话关系中。“雾”“春阳”发挥其隐喻修辞效果,都市风景背后隐含了权力压迫与殖民主义的遮蔽策略;借助柄谷行人的“颠倒”与“认识性装置”,窥视出都市畸形现代化与城乡同质化倾向,进而从文化角度发掘施蛰存的风景话语隐含着与“新感觉派”的内在分野。Shi Zhecun's urban and rural narrative novels present a dual spatial perspective transformation.Through the eyes of the subject,numerous landscape writings break through traditional constraints and assume a new narrative function in modern texts.As an external representation of inner psychology,landscapes are always in close dialogue with“country people”and“city people.”“Fog”and“spring sun”exert their metaphorical rhetorical effects,revealing the concealment strategies of power and colonialism behind the urban landscape.With the help of Yukito Karatani's concepts of“inversion”and“cognitive device,”we can observe the deformed modernization of the city and the homogenization tendencies between urban and rural areas.From a cultural perspective,this exploration uncovers the inherent differences between Shi Zhecun's landscape discourse and the“New Sensationism.”

关 键 词：施蛰存 城乡叙事 风景书写 空间 

分 类 号：I207.42[文学—中国文学]