荒诞剧的冷情感生成模式探微  

Exploring the Generation Modes of Cold Emotion in the Theatre of the Absurd

作　　者：崔潇月[1] CUI Xiaoyue

机构地区：[1]云南师范大学外国语学院

出　　处：《戏剧艺术》2024年第4期69-77,87,共10页Theatre Arts

基　　金：国家社科基金青年项目“中国话剧英译与海外传播研究”(18CYY009)的阶段性成果。

摘　　要：悲剧产生命运感,喜剧产生幸运感,同时含有悲剧和喜剧情感因素的荒诞剧则通过解构命运感和幸运感来制造一种冷情感。这种冷情感存在于人物自身,人物的互动之中以及读者或观众的期待里,相应地有三种生成模式:一是台词由冷情感文本构成;二是通过无逻辑的情节让剧中人物的情感发生中和;三是通过叙述差让读者或观众的情感期待落空。戏剧人物模糊的身份使人物关系多变,从而导致戏剧情节的无逻辑性,由此,剧中人物情感的碰撞、人物情感与读者或观众情感的矛盾都会制造出情感反差,从而制止某种情感的发展,让不同的情感中和归零,营造出冷情感的氛围。荒诞剧的冷情感最终决定了其荒诞属性。Tragedy evokes a sense of fate,while comedy generates a sense of luck.The Theatre of the Absurd,containing elements of both tragic and comic emotions,creates a sense of cold emotion by deconstructing the feelings of fate and luck.This cold emotion exists within the characters themselves,in their interactions,and in the expectations of the reader or audience.There are three corresponding generation modes:firstly,dialogue is constructed with cold emotional text;secondly,illogical plots neutralize the emotions of the characters;and thirdly,narrative gaps cause the emotional expectations of the reader or audience to be unfulfilled.The ambiguous identities of the characters lead to changing relationships,resulting in the illogicality of the plot.Consequently,the clash of emotions among characters,and the contradiction between character emotions and the emotions of the reader or audience may trigger emotional contrast,thereby preventing the development of some particular emotion,allowing different emotions to neutralize,and creating an atmosphere of cold emotion.The cold emotion in the Theatre of the Absurd ultimately defines its absurd nature.

关 键 词：荒诞剧 冷情感 情感中和 情感符号 

分 类 号：J80[艺术—戏剧戏曲]