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作 者:李凯[1] Li Kai
机构地区:[1]天津博物馆,天津300201
出 处:《文博学刊》2024年第3期79-85,共7页Journal of Archaeology and Museology
摘 要:去伪存真是中国古代书画鉴定的目的,也是古书画研究的基础。中华人民共和国成立后,随着博物馆事业的发展,涌现出一批杰出的古书画鉴定专家,刘九庵先生即是其中一位。他14岁入北京琉璃厂当学徒,41岁进入故宫博物院成为一名文博工作者,历经长期刻苦学习与实践,构建了合理的知识结构,致力于建立丰富的古书画作品研究资料库,强调精细比较与综合考察,注重个案研究,兼顾重点与次重点名家,秉持宏观视角与微观考察相结合的治学方法。刘九庵先生的治学方法与特点对深入做好书画鉴定工作,传承与推进中国古书画鉴定事业,均具重要意义。The Authentication of ancient Chinese calligraphy and painting serves as the foundation for the study of ancient calligraphy and painting by distinguishing between genuine and fake works.After the founding of the People’s Republic of China,with the development of the museum industry,a group of outstanding experts in authentication of ancient calligraphy and painting emerged.Mr.Liu Jiuan was one of them.He started as an apprentice at the Liulichang Street in Beijing at the age of 14 and became a cultural heritage worker at the Palace Museum at the age of 41.After years of diligent study and practice,he constructed a rational knowledge structure,and was committed to establishing a rich database of ancient calligraphy and paintings.He emphasized both meticulous comparison and comprehensive investigation,focused on case studies,balancing major and minor prominent artists.He upheld a scholarly approach that combined a macro perspective and micro examinations.His scholarly methods and characteristics are of significant value for deepening the work of authenticating calligraphy and painting,inheriting and promoting the authentication cause of ancient Chinese calligraphy and painting.
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