美国深层意象派诗歌中的中国古典色彩  

On the Classical Chinese Colors in American Deep Imagism Poetry

作　　者：汤怡兰 TANG Yi-lan(School of Foreign Languages,South-Central Minzu University,Wuhan 430074,China)

机构地区：[1]中南民族大学外国语学院,湖北武汉430074

出　　处：《湖北科技学院学报》2024年第5期55-60,共6页Journal of Hubei University of Science and Technology

摘　　要：意象派对中国古典诗歌学习和接受的目的是改变当时的诗歌现状,以罗伯特·勃莱、詹姆斯·赖特为代表的深层意象派诗人的学习则更加深入,转向了诗歌创作本身,他们深化了意象的含义,提出了“深层意象”的诗学理念。在诗歌创作中,他们不仅化用了陶渊明、白居易等隐士诗人的诗句,更是深入到诗人的精神世界,汲取了诗歌背后清净无为的道家思想,从而发展了“深层意象”的诗学理念和自然宁静的诗歌意境,使诗歌突破了根深蒂固的理性传统,具有了空灵朦胧的东方审美意识和诗歌特色,为美国诗坛注入了新的活力。In the context of imagism,the purpose of studying and accepting classical Chinese poetry is to change the contemporary state of poetry.While the deep imagism,represented by Robert Bly and James Wright,studied Classical Chinese poetry more deeply and turned to creating new poetry.They deepened the meaning of image and put forward the poetic concept of“deep image”.In their poems,they not only incorporated lines from Tao Yuanming and Bai Juyi,but also delved deeply into their spiritual world,absorbing the Taoism of tranquility and doing nothing that hide behind the verses,thus developing the poetic concept of“deep image”and a poetic atmosphere of natural serenity,making the poems break through the rational tradition of American poetry.As a result,their poems embodied the Oriental aesthetic consciousness and poetic characteristics,injecting fresh vitality into the American poetry.

关 键 词：深层意象派 中国古典诗歌 道家思想 

分 类 号：I712[文学—其他各国文学]