生命叙事视角下纪录片的主体互动、故事生成与意义流动  

Subject Interaction,Story Generation and Meaning Flow of Documentary from the Perspective of Life Narrative

作　　者：张卓[1] 李晨 Zhang Zhuo;Li Chen(Wuhan University)

机构地区：[1]武汉大学新闻与传播学院、武汉大学视听传播研究中心、武汉大学媒体发展研究中心,湖北武汉430072 [2]武汉大学新闻与传播学院

出　　处：《新闻与传播评论》2024年第4期51-60,共10页Journalism & Communication Review

基　　金：国家社会科学基金一般项目(21BXW091)。

摘　　要：纪录片如何以“人”为核心讲述“生命”的故事是其作为一种生命叙事文本的现实关切,也是基于纪录片研究回归人的主体意识与话语建构的理论拓展。纪录片生命叙事中的双重主体,即作为他者化的“自我”的创作者与作为“自我化”的他者的被摄者,呈现出主体间互动的“对话性”。纪录片通过将个体生命经验进行一系列梳理、提取与整合,再与社会的汇流中经由连贯性生产进而形成具有结构性和启发性的生命故事。在纪录片中,生命叙事通过“表现性话语”完成意义的建构,并以反身性认知的形式推动意义的再生产与流动。How to tell the story of“life”with“people”as the core of documentary is its realistic concern as a kind of life narrative text,and it is also a theoretical expansion based on documentary research to return to human subject consciousness and discourse construction.The dual subjects in documentary life narration,that is,the creator of“self”as“other”and the subject of“self”as“other”,show the“dialogue”of the interaction between subjects.By a series of sorting,extraction and integration of individual life experience,documentary forms a structural and inspiring life story through continuous production in the confluence with society.In documentary,life narrative completes the construction of meaning through expressive discourse,and promotes the reproduction and flow of meaning in the form of reflexive cognition.

关 键 词：纪录片 生命叙事 生命故事 意义流动 

分 类 号：G206[文化科学—传播学]