贾达群民族器乐协奏套曲《梨园》的结构组合特征  

The Structural Combination Characteristics of Jia Daqun's Folk Instrumental Concerto Suite The Operatic Circle

作　　者：苏潇[1] 谭森 Su Xiao;Tan Sen

机构地区：[1]上海音乐学院,上海210031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第3期41-52,共12页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年度教育部人文社会科学研究青年基金项目“贾达群结构理论及音乐创作研究”阶段性成果,项目编号:21YJC760066。

摘　　要：组合是音乐创作和音乐分析理论的核心要素,涉及如何将不同音乐表现手段及各种音响事件有机地组织在一起,创造出具有内在一致性和外在多样性的音乐作品。贾达群的大型民族器乐协奏套曲《梨园》,充分体现出音乐创作的多层次、多维度、多样化组合特征——离散、嵌入、交叠的组合方式,分形、带式、交叉的组合形态,以及强化主要结构、突出潜在性质、模糊主要结构、转换主次结构的组合功能。对一部音乐作品结构组合进行内在规律和外在形态的分析,不仅是一种独特的音乐分析方法,而且可为结构分析学理论的建构提供一种可行的路径。Combination is the core element of music creation and music analysis theory,which aims to organically organize different musical expression means and various acoustic events together,and then create music works with both internal consistency and external diversity.Jia Daqun's large-scale national instrumental concerto cycle"Pear Garden"fully embodies the multi-level,multi-dimensional and diversified combination characteristics of music creation.Specifically,his works exhibit a combination of dispersion,embedding,and overlapping,as well as fractal,band-like,cross combination form.It also has the combinatorial functions of strengthening the main structure,highlighting the potential properties,blurring the main structure and transforming the primary and secondary structures.The analysis of the internal law and external form of a musical composition is not only a simple musical analysis practice,but also a footnote for the theoretical constructionof structural analysis.

关 键 词：结构组合 组合方式 组合形态 组合功能 《梨园》 

分 类 号：J614.3[艺术—音乐]