艺术管理美学:音乐美学的跨界融合  

Aesthetics of Art Management:Cross-border Integration of Music Aesthetics

作　　者：颜聪 王小龙 Yan Cong;Wang Xiaolong

机构地区：[1]上海音乐学院艺术管理系,上海200031 [2]吉林艺术学院艺术管理学院,吉林130031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第3期155-165,共11页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2023年上海市白玉兰人才计划浦江项目“国际音乐比赛的社会功能与公共价值研究”阶段性成果,项目批准号:23PJC091。

摘　　要：随着中国全面推进新文科建设的开启,艺术学门类各学科与专业已走上跨界融合的发展之路。作为学科之一的音乐美学也面临着跨界机遇与融合挑战,构建具有跨界思维与融合特征的“艺术管理美学”是其突破路径之一。这种突破就在于既有学科范式的升维,即学科语言的转变、学科逻辑的跨界、学科意识的革新。构建音乐管理美学则是音乐美学跨界融合、迈向新文科发展目标的重要一步,必将促进音乐美学的跨学科研究与发展。China fully launches the construction of new liberal arts,thus forms a so called"art science."Various sub-disciplines and majors have entered the development of cross-border integration.As one of the subdisciplines,music aesthetics is also facing the opportunities and challenges of this cross-border integration,so it is necessary to explore this cross-border integration of music aesthetics and art management,and build an"aesthetics of arts management",It is undoubtedly one of the ways to seek a breakthrough in music aesthetics.This breakthrough is reflected in the elevation of the existing disciplinary paradigm,that is,the transformation of disciplinary language,the crossover of disciplinary logic,and the innovation of disciplinary consciousness,i.e."aesthetics of music management"As a branch of this aesthetics,its construction is an important step towards the goal of cross-border integration of music aesthetics and the development of new liberal arts,and it will also promote the interdisciplinary research and development of music aesthetics itself.

关 键 词：音乐美学 艺术管理 艺术管理美学 跨界融合 

分 类 号：J601[艺术—音乐]