皖北汉画像中淮夷与吴越文化的遗存研究  

On the Remains of Huaiyi and Wuyue Cultures in Han Dynasty Portraits in Northern Anhui

作　　者：王猛[1] 朱利光 Wang Meng;Zhu Liguang

机构地区：[1]安徽大学艺术学院,合肥230033

出　　处：《滁州学院学报》2024年第3期48-53,76,共7页Journal of Chuzhou University

基　　金：安徽省哲学社会科学规划一般项目“安徽地域汉画像石的图像学研究”(AHSKY2022D198)。

摘　　要：今天的皖北汉画像石出土地域,在汉代隶属于不同刺史部的郡县,出土的画像呈现出丰富多样的类型面貌,其体现了汉代以儒家为主流意识的时代精神。先秦时期,皖北先后属于淮夷和吴越所辖地域,出土的画像也具有淮夷与吴越文化遗存的特点,反映了该区域的地理环境、族群信仰、文化生态面貌。本文首先借助于历史地理学的方法对皖北汉画像石出土地域进行钩沉考索,然后以图像形式语言分析汉画像的视觉表征,在此基础上,再探索其文化内涵和审美倾向,旨在对皖北地域汉画像中淮夷与吴越文化遗存的特点展开研究。Today’s North Han dynasty stone reliefs in Anhui are unearthed in different prefectures of the Han dynasty,and they embody the spirit of the Han dynasty with Confucianism as the mainstream consciousness.During the pre-Qin period,the northern part of Anhui belonged to the area of Huaiyi and Wuyue successively.The paintings unearthed also have the characteristics of the cultural remains of Huaiyi and Wuyue,reflecting the geographical environment,ethnic beliefs and cultural ecology of the area.This paper studies the Han dynasty stone reliefs unearthed in northern Anhui province by means of the historical geography method,analyzes the visual representation of the Han dynasty stone reliefs in the form of images,and explores the cultural connotation and aesthetic tendency for researching the characteristics of the remains of Huaiyi and Wuyue cultures in the Han portraits in northern Anhui.

关 键 词：皖北汉画像 淮夷 吴越 文化遗存 

分 类 号：J206[艺术—美术]