咸阳布里村十六国墓M63出土乐俑研究  

Research on Musical Figurines Unearthed from M63 in Buli Cemetery,Xianyang

作　　者：王若洋 李博 赵占锐 Wang Ruoyang;Li Bo;Zhao Zhanrui

机构地区：[1]西安音乐学院 [2]巴黎高等师范音乐学院 [3]陕西省考古研究院

出　　处：《考古与文物》2024年第8期99-108,共10页Archaeology and Cultural Relics

基　　金：国家社科基金重大项目“关中地区十六国时期墓葬资料的整理与研究”(编号:21&ZD237)的阶段性成果。

摘　　要：陕西咸阳布里村十六国墓M63出土乐俑可分为伎乐俑和姿态俑两类。伎乐俑所奏乐器包括吹、弹、击奏3类8种;姿态俑均做特殊动作,并伴有张口特征,在音乐场景中承担了说、唱、领奏(领唱)、击掌、动作表演等角色与职能。布里村M63乐俑丰富的乐器种类、独特的表演形式以及与“清乐”有关的完整表演场景,为研究公元4~5世纪的音乐发展及社会生活提供了重要的实物资料。The 31 musical figurines unearthed from M63 in Buli cemetery,Xianyang,Shaanxi Province,can be divided into two categories:figurines who play instruments and posture figurines.The musical instruments played by the figurines can be divided into three categories:blowing,playing and percussion.The posture figurines are all in the form of special gestures,accompanied by the characteristics of mouth opening,and assume the roles and functions of high-fives,leading(or singing),speaking,singing,and action performance in the performance scene.It is speculated that the performance form reflected by these musical figurines may be related to‘Qing yue’,and had an impact on the development of music in the Sui and Tang Dynasties.The rich musical instruments in Buli M63,unique performance forms and relatively complete performance scenes provide important materials for the study of musical development and social life during the fourth to fifth century.

关 键 词：关中地区 十六国时期 乐俑 乐器 表演形式 

分 类 号：K238[历史地理—历史学] K879.3[历史地理—中国史]