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作 者:程文 Cheng Wen(the Faculty of Foreign Languages,Ningbo University,Ningbo 315233,China)
机构地区:[1]宁波大学外国语学院
出 处:《外国文学研究》2024年第4期86-98,共13页Foreign Literature Studies
基 金:国家社会科学基金重大项目“英国文学经济思想史”(22&ZD289)。
摘 要:从文学经济学与东西关系双重视角解读威廉·布莱克史诗《耶路撒冷》,可为考察英国浪漫主义时期文学经济思想的变迁提供新的理论视角。从布莱克研究学派划分的视角可观察到布莱克作为艺术品与书籍制作者参与英国浪漫主义时期新兴市场的基本事实,社会批判学派、古典传统学派、文献考据学派分别以不同方式把论述建立在考察布莱克艺术创作与市场关系的基础上。进一步从文学经济学跨学科视角观察,可见《耶路撒冷》对浪漫主义时期社会转型现实的反映可与同时兴起的边际主义经济思想互相印证:一是边际效用递减原理与布莱克艺术创新实践的吻合,二是动态均衡原理与布莱克史诗复杂象征表达的呼应。与此相应,布莱克也从两个方面重塑了浪漫主义时期英国国家想象:一是以巨人阿尔比恩为象征的理想国度想象,二是以阿尔比恩、耶路撒冷与帷拉之间关系为象征的东西关系重构。布莱克的想象力重构了东西关系图式,体现了文学艺术对现实的影响。Interpreting William Blake's epic Jerusalem from the dual perspectives of literary economics and East-West relations may provide a new theoretical perspective for examining the changes in literary economic thought of the British Romantic period. From the perspective of the demarcation of Blake studies, it can be observed that Blake, as a producer of artworks and books, participated in the emerging market of the British Romantic period. The discourses of the social criticism school, the classical tradition school, and the textual study school are respectively based on the examination of the relationship between Blake's artistic creation and the market in different ways. From the interdisciplinary perspective of literary economics, it can be seen that Jerusalem's reflection on the reality of social transformation in the Romantic period can be corroborated with the contemporaneous rise of the marginalist economic thought, which can be analyzed from two aspects: first, the principle of diminishing marginal utility aligns with Blake's artistic innovation practice;second, the principle of dynamic equilibrium resonates with the complex symbolism of Blake's epics. Accordingly, Blake reshaped the national imagination of Romantic-period Britain in two ways: one is the idealized vision of the nation symbolized by the giant Albion;the other is the reconstruction of the East-West relations symbolized by the relationship among Albion, Jerusalem, and Vala. Blake's imagination reconfigured the schema of East-West relations, embodying the influence of literary art on social reality.
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