别现代主义审美学:理论创获与未来发展  

Bie-modernist Aestheticology: Theoretical Advancements and Future Prospects

作　　者：石长平 何天骄 SHI Changping;HE Tianjiao(School of Arts,North China University of Water Resources and Electric Power,Zhengzhou,Henan 450046,China;Haikou University of Economics,Haikou,Hainan 570100,China)

机构地区：[1]华北水利水电大学艺术学院,河南郑州450046 [2]海口经济学院网络与传媒学院,海南海口570100

出　　处：《河北师范大学学报（哲学社会科学版）》2024年第5期42-48,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：王建疆教授在全球视野中认真考辨中国社会的实际状况,创造性地提出“别现代”观点,并在学理上作了比较科学合理的理论阐释,意图在传统文化资源基础上建立一种具有中国特色的社会学美学理论。别现代理论是从社会学出发,对中国社会现状的理论概括:别现代主义是对别现代现状的批判和超越,是反思批判与营构建设,以及在此基础上所秉持的审美关怀和追求的社会理想;别现代主义审美学就是建立在别现代主义基础上的美学思想,是对“别现代”时期文学现象和艺术实践的解读与批判。别现代主义审美学拓展了中国美学研究的学术空间,促进了中国美学在当代的繁荣发展。Professor Wang Jianjiang(王建疆)has critically examined contemporary Chinese society from a global perspective and innovatively introduced the concept of“Bie-modernism.”This concept offers a rational and scientifically-grounded theoretical framework aimed at establishing a sociological aesthetic theory with distinctive Chinese characteristics,drawing from traditional cultural resources.Bie-modernism provides a theoretical lens for understanding China’s current societal state through a sociological perspective.It simultaneously critiques and transcends the present“Bie-modern”condition while reflecting on social realities and constructing a vision for the future.At its core,Bie-modernist aestheticology explores the aesthetic dimensions of literary and artistic phenomena within the Bie-modern era,offering critical interpretations of these cultural practices.By expanding the academic discourse surrounding Chinese aesthetics,Bie-modernist aestheticology contributes to the ongoing development and flourishing of Chinese aesthetic theory in the modern context.

关 键 词：“别现代” 别现代主义审美学 王建疆 创获与问题 

分 类 号：F061.5[经济管理—政治经济学]