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作 者:米高峰[1] 许露月 MI Gaofeng;XU Luyue(School of Art&Design/School of Silk Road Culture&Communication,Shaanxi University of Science and Technology Xi'an 710021,China)
机构地区:[1]陕西科技大学设计与艺术学院(丝路文化与传播学院),西安710021
出 处:《工业工程设计》2024年第4期33-40,共8页INDUSTRIAL&ENGINEERING DESIGN
基 金:2022年教育部学位与研究生教育发展中心主题案例建设项目(ZT-221070801);2023年陕西特色线上课程建设项目(2023-57);2022年陕西科技大学课程思政课程建设项目(2022-62)。
摘 要:旨在挖掘丝绸之路上织物葡萄纹样所蕴含的文化基因,探索其在数字时代下的活化再生与创新应用。首先,通过文献查阅与实地考察,收集归纳织物葡萄纹样案例;其次,基于文化基因理论,选取代表性样本,从显性与隐性层面介入分析;再次,依据研究结果,设定设计要素,建立资源库,引入CGM模型实现纹样再生;最后,借助数字技术,将再生纹样以数字动态化形式应用。借由对织物葡萄纹样的学理思考与再生设计,实践了丝路遗产的数字传承路径,亦为传统物象的当代表达拓展了新语料。The work aims to dig out the cultural genes contained in the grape patterns of textiles on the Silk Road,and explore their activation,regeneration and innovative application in the digital era.Firstly,through literature review and field investigation,cases of fabric grape patterns were collected and summarized;Secondly,based on the theory of cultural genes,representative samples were selected and analyzed from the explicit and implicit levels;Thirdly,according to the research results,design elements were set,a resource library was established,and a CGM model was introduced to realize the regeneration of patterns;And finally,with the help of digital technology,the regenerated patterns were applied in the form of digital dynamics.Through the academic thinking and regenerative design of fabric grape patterns,the digital inheritance path of Silk Road heritage has been practiced,and new language materials have also been expanded for the contemporary expression of traditional objects.
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