海宁皮影艺术在现代服装中的运用  

Utilizing Haining Shadow Puppetry in Contemporary Fashion

作　　者：潘晴 王海凤 巨阳 徐雨欢 董子烨 PAN Qing;WANG Haifeng;JU Yang;XU Yuhuan;DONG Ziye(Jiaxing Nanhu University,Jiaxing 314000,China)

机构地区：[1]嘉兴南湖学院,浙江嘉兴314000

出　　处：《西部皮革》2024年第15期118-120,共3页West Leather

基　　金：2023年度嘉兴南湖学院大学生研究训练计划(SRT)项目“海宁皮影艺术在现代服装中的运用”(8517233131)。

摘　　要：为拓宽海宁皮影戏的传承途径,为其注入新鲜的活力,文章从历史角度出发,探寻海宁皮影的起源与发展演变,在深入了解海宁皮影艺术的基础上,尝试以现代服装为载体,将海宁皮影元素融入其中。文中特别选取了翠冠旦头茬这一代表性元素进行纹样再设计,构思设计出既能满足现代的审美,又能保留海宁皮影艺术文化内涵的服装。期待为海宁皮影艺术的现代转型之路提供新思路,进一步推动传统文化的创新与传承。To broaden the avenues of inheriting Haining Shadow Puppetry and infuse it with renewed vigor,this study explores its application in modern fashion to deepen the cultural significance of contemporary attire.Beginning from a historical perspective,it traces the origins and evolution of Haining Shadow Puppetry.With a profound understanding of its artistic essence,the study endeavors to integrate Haining Shadow Puppetry elements into modern apparel.Specifically focusing on the redesign of the iconic"Cui Guan Dan Tou Cha"motif,garments are conceptualized to meet modern aesthetic standards while preserving the cultural essence of Haining Shadow Puppetry.This initiative aims to provide innovative pathways for the modern transformation of Haining Shadow Puppetry,thereby advancing the innovation and transmission of traditional culture.

关 键 词：皮影艺术 现代服装设计 纹样 

分 类 号：J[艺术]