在地域和时代影响下的佛教建筑设计研究——以莫干山天池禅寺为例  

Buddhist Architecture Under the Influence of Region and Era:Taking the Design of the Tianchi Temple in Moganshan as an Example

作　　者：李雯[1] 崔赫 沈米钢[2] Li Wen;Cui He;Shen Migang

机构地区：[1]浙江理工大学建筑工程学院 [2]浙江省建筑设计研究院

出　　处：《华中建筑》2024年第9期103-106,共4页Huazhong Architecture

摘　　要：随着历史文化类建筑的开发,以及人们日益增长的精神文化需求,当代佛教寺庙不再作为单一的宗教建筑独立存在,其功能需求更多元化。如何在保证最重要的佛教文化氛围和空间特质的前提下,适应当地地域文化特色,同时应对多元化社会需求是关键。基于这个出发点,该文以浙江德清莫干山天池禅寺规划设计为例,探寻把民国时期建筑特点融入佛教寺庙建筑的设计方法,总结在民国时期地域文化影响下的佛教建筑设计原则,以期能在今后类似的设计中做出更多的探索。With the development of historical and cultural buildings and the increasing spiritual and cultural needs of people,contemporary Buddhist temples are no longer a single religious building that exists independently,and their functional needs are more diverse.How to adapt to the local regional cultural characteristics while ensuring the most important Buddhist cultural atmosphere and spatial characteristics,while also addressing the diverse social needs.Based on this starting point,taking the planning and design of the Tianchi Temple in Moganshan,Deqing,Zhejiang as an example,we explore the design method of integrating the architectural characteristics of the Republic of China era into Buddhist temple architecture.We also summarize the design principles of Buddhist architecture under the influence of regional culture during the Republic of China era,with the hope of making more explorations in similar designs in the future.

关 键 词：佛教建筑 民国时期 地域 时代 

分 类 号：TU252[建筑科学—建筑设计及理论]