《所罗门之歌》的听觉叙事功能研究  

A study of the auditory narrative function in Song of Solomon

作　　者：刘仁丽 LIU Ren-li(School of Literature and Journalism,South Central Minzu University,Wuhan Hubei 430074,China)

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第8期77-80,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：托尼·莫里森的《所罗门之歌》在叙事策略及技巧上,一方面以音叙事,借助贯穿文本或具体事件或人物歌唱的声音景观,赋予小说叙事以整体性,记录了非裔黑人在美国的痛苦遭遇。听觉叙事在小说中承担着记录历史、塑造人物形象、梳理人际关系、追寻文化传统和重塑自我的功能;另一方面,又赋予小说中的各类声音景观丰富的象征意义,可见人物命运的表征,音乐与文化的联系,也有对追寻美好人性的象征。此外,托尼·莫里森还充分运用以声衬情的策略,在揭示黑人在当时美国历史环境下家庭生存境遇问题的同时,凝聚了作者的历史意识与命运意识,结局映衬了非裔黑人身份认同后的文化自信。Toni Morrison's Song of Solomon,the author narrates with sound and gives the narrative integrity by means of the sound landscape which runs through the text or the specific events or characters singing,recording the sufferings of african-americans in America.In the novel,auditory narration plays the role of recording history,shaping characters,sorting out interpersonal relationships,pursuing cultural traditions and reshaping oneself,the author also endows the various sounds in the novel with rich symbolic meanings,which shows the representation of the characters fate,the connection between music and culture,and the symbol of pursuing the good humanity.In addition,Toni Morrison also makes full use of the strategy of subtracting emotion with sound,while revealing the problems of black people's family living conditions in the American historical environment at that time,he also condenses the the author's historical consciousness and destiny consciousness,the result reflects the cultural self-confidence of african-n Black identity.

关 键 词：所罗门之歌 听觉叙事 个体形象 家族关系 追寻 

分 类 号：I106.4[文学—世界文学]