品钦“加州三部曲”的城市空间政治研究  

Urban Space Politics in the California Novels by Thomas Pynchon

作　　者：黄思敏 HUANG Si-min(School of Humanity,Guangzhou Huashang College,Guangzhou 511300,China)

机构地区：[1]广州华商学院文学院,广东广州511300

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第8期81-85,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：广州华商学院导师制项目:品钦“加州三部曲”中的城市空间研究(2020HSDS24)。

摘　　要：城市作为悠久的空间范式,主流观点一度倾向于认为历史与社会关系形塑了城市空间,空间仅作为一种单向度的僵化产物,这种观念同样体现在“加州三部曲”的整体性研究中。三部曲中的城市并非凝固的随机背景,其作为受制的空间,不同社群在城市中的流动性、对空间的占有与改造加深了阶层分化,前者映照出美国加州复杂的阶级与种族矛盾。同时城市也作为一种生产性空间,革命者正是在街道和广场等公共空间中发现了场所政治与空间正义的深刻意涵。As a long-standing spatial paradigm,the mainstream view of the city is more inclined to historical and social relations that have shaped urban space,which is only a one-dimensional rigid product.This concept is also reflected in the overall study of the California Novels.The city is not a solidified random background.As a controlled space,the mobility of dfferent communities,the occupation and transformation of space deepens the class division.It reflects the complex class and racial contradictions in California.The city is also a productive space.In the public spaces such as streets and squares that the revolutionaries have discovered the profound meaning of space politics and space justice.

关 键 词：“加州三部曲” 城市 空间政治 阶层固化 空间正义 

分 类 号：I106.4[文学—世界文学]