新西兰毛利小说中个人主体的民族身份问题研究  

Study on the national identity of individual subjects in New Zealand Maori novels

作　　者：徐媛媛 XU Yuan-yuan(Basic Department of Wanjiang University of Technology,Ma anshan,Anhui,243000)

机构地区：[1]皖江工学院基础部,安徽马鞍山243000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第8期90-94,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：新西兰在二战后兴起了去殖民化运动,原住民族毛利族的民族意识及民族自豪感由此得到强效提升,诸多优秀的毛利文学家开始借助小说创作而进行主体构建,为个体文化身份的认同指出了路径方向。在阐述毛利民族特色与毛利文学风格的基础之上,围绕克里·休姆与其浪漫怀旧的民族文化观、维提·依希马埃拉与其爱恨交织的民族文化观、帕特里夏·格雷斯与其积极悦纳的民族文化观展开研究,以此来深入阐明新西兰毛利小说中个人主体的民族身份问题。After the Second World War,the decolonization movement emerged in New Zealand,and the national consciousness and national pride of the original Maori nationality were strongly improved.Many excellent Maori writers began to construct the main body with the help of novel creation,pointing out the path direction for the identification of individual cultural identity.On the basis of the Maori national characteristics and Maori literary style,around him and romantic nostalgia of national culture,d,in accordance with the horse era and love hate of national culture,Patricia grace and actively accept national culture research,in order to further clarify the New Zealand Maori novel individual subject of national identity problem.

关 键 词：新西兰 毛利小说 个体身份认同 民族价值观 

分 类 号：I106.4[文学—世界文学]