湖州善琏湖笔展示空间序列的叙事性设计研究  

Research on Narrative Design in Spatial Sequence of Display Space of Huzhou Writing Brush

作　　者：刘逸 杨小军[1] 

机构地区：[1]浙江理工大学艺术与设计学院

出　　处：《包装与设计》2024年第4期126-127,共2页Package & Design

摘　　要：本文以湖笔文化为研究对象,引入空间序列与空间叙事理论,探讨湖笔文化展示空间序列的叙事性设计方法:首先梳理湖笔文化的内涵与价值,分析其在展示空间中的叙事可行性;然后,论述空间序列的特征(连续性、节奏型、引导性)与空间叙事的要素(叙事主题、叙事节奏、叙事焦点),并分析二者的关联;在此基础上,确定湖笔文化展示空间的叙事主题与焦点,采用顺序与插叙相结合的叙事顺序、设置过渡空间,以及利用空间布局转变叙事节奏,完成湖笔文化在空间序列中的叙事性转译与设计。研究希望通过将空间叙事方法应用于空间序列设计,提升文化展示空间的视知觉体验。This paper takes the Huzhou writing brush culture as the research object,and explores the narrative spatial sequence design in the display space of the writing brush culture,based on the concepts of spatial sequence and spatial narrative.The study firstly elaborates on the connotation and value of Huzhou writing brush culture,and analyzes its narrative feasibility in the display space;then,it discusses the characteristics of spatial sequence(continuity,rhythmic,and guiding)as well as the elements of spatial narrative(narrative theme,narrative rhythm,and narrative focus),and analyzes the correlation between the two concepts:on this basis,it determines the narrative theme and focus of the display space of Huzhou writing brush culture display spaceand completes the narrative translation and design of the writing brush culture by adopting the combination of sequential and interpolated narrative.setting up transitional space,and utilizes the spatial layout to change the narrative rhythm.The study hopes to enhance the visual and perceptual experience of the cultural display space byapplying the spatial narrativemethod to the spatial sequence design.

关 键 词：空间序列 展示设计 空间叙事 湖笔文化 

分 类 号：I20[文学—中国文学]