现代社会语境下滑县木版年画的发展探究  

Research on the Development of Huaxian County Wood-Block New Year Pictures in Modern Social Context

作　　者：梁雅卓 孙伟[1] 

机构地区：[1]江苏大学艺术学院

出　　处：《包装与设计》2024年第4期154-155,共2页Package & Design

基　　金：江苏省研究生科研与实践创新计划项目“非遗学视野下滑县木版年画的研究”(项目编号:SJCX23_2119)阶段性研究成果。

摘　　要：滑县木版年画是一种半印半绘的古老年画,记录了豫北地区传统的地域文化和风俗习惯。在现代社会语境中,开放式的文化融合和多元的审美思想对我国传统文化产生了冲击,滑县木版年画作为一种传统民间美术形式,越来越难满足现代社会的艺术审美需求。本文通过梳理滑县木版年画背后的文化观念,分析其在现代社会语境中的发展困境,然后基于守正创新的保护原则,提出相应的发展策略,以期推动滑县木版年画推陈出新,促进中华优秀传统艺术创造性转化和创新性发展。The Huaxian County wood block New Year picture is a half-printed and half-painted ancient New Year picture in China,which retains the traditional regional culture and customs of the northern Henan.However.in the modern social context.the open cultural integ ration and diversitfed acsthetic thoughts have had a strong impact on China's traditional culure.As a traditional folk art.the Huaxian County wood-block New Year picture can hardly meet the aesthetic needs of modern society.This paper sorts oul the cultural connotation bechind the Huaxian County wood-block New Year Picture.and analyzes its main development diemas in the modern social context.Then it puts forward corresponding strategies.upholding fundamental principles and breaking new ground,so as to promote the innowation of Huaxian County wood-block New Year Pictures,and realize the creative transformation and development of traditional Chinese art.

关 键 词：滑县木版年画 传统美术 守正创新 

分 类 号：J21[艺术—美术]