安徽原创琵琶曲《淮北风情》演奏技法探析  

Analysis of Performance Techniques for Anhui Original Pipa Music Huaibei Fengqing

作　　者：王珂玥 WANG Keyue(Department of Art,Hefei Preschool Education College,Hefei 230000,China)

机构地区：[1]合肥幼儿师范高等专科学校艺术系,安徽合肥230000

出　　处：《宿州学院学报》2024年第7期67-70,80,共5页Journal of Suzhou University

基　　金：合肥幼儿师范高等专科学校重点科研项目(hykyzd202303);安徽省高等学校质量工程重大教改项目(2020jyxm1630)。

摘　　要：琵琶是中国传统乐器中重要的弹拨乐器。《淮北风情》是原安徽琵琶协会创始人胡锦华先生于疫情防控期间完稿的原创作品,是安徽人创作本土题材琵琶曲的代表作。乐曲《淮北风情》涉及的指法多样、技巧丰富,从专业角度而言,一类指法在不同乐句与情境中有着不同的演奏方式。在演奏实践过程中,深入挖掘作品中的吟揉、绰注、推拉、煞、绞弦、提与拍板等特色指法,着重探究演奏技巧,优化音响效果,诠释作品精神内涵,进而更好地传播安徽原创琵琶作品。Pipa is an important plucked instrument among traditional Chinese musical instruments.Huaibei Fengqing is an original work completed by Mr.Hu Jinhua,the founder of the Anhui Pipa Association,during the epidemic period.It is a representative work of Anhui people creating local theme pipa music.The music Huaibei Fengqing involves a variety of finger techniques and rich skills,from a professional perspective,a type of fingering has different performance styles in different phrases and contexts.In the process of performance practice,this research deeply explores the unique finger Yinrou,Chuozhu,Tuila,Sha,Jiaoxian and Di and Paiban in the work,focusing on exploring performance techniques,optimizing sound effects,interpreting the spiritual connotation of the work,and better spreading Anhui′s original pipa works.

关 键 词：琵琶 《淮北风情》 特色指法 音响效果 

分 类 号：J632.33[艺术—音乐]