生命感悟与臧克家的“泥土”崇拜  

Insight on Life and Zang Kejia's Admiration for "Earth"

作　　者：宋剑华[1] SONG Jianhua(School of Liberal Arts,Jinan University,Guangzhou 510632,Guangdong,China)

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《惠州学院学报》2024年第4期1-9,共9页Journal of Huizhou University

基　　金：国家社会科学基金重点项目(23AZW002)。

摘　　要：臧克家的诗文创作以“泥土”与“农人”为中心意象,生动诠释了乡土中国的文化特征以及乡土伦理对于维系农村人际关系的重要意义。这些乡土气息浓厚的“泥土”之歌全都充满着诗人对于生命之源的哲学思考,不但叙述了“人”与“土地”之间的辩证关系,同时更是表现了诗人对于大地母亲的挚爱之情。他从“泥土”文化延伸到“乡村”文化,从生命的轮回到“泥土”的永恒,让读者深深地领略了“人”对“土地”的依赖关系,以及万物生命的起源与归宿。他从不认为乡土中国的文化落后,反倒是大声呼唤中国人绝不能忘记了乡土中国的文化之根,绝不能忘记了“土地”与“农人”的无私奉献,而他自己也一直都在寻找精神返乡之路。Zang Kejia's poetic creation centers on the images of"earth"and"farmer",vividly interpreting the cultural characteristics of rural China and the significance of rural ethics in maintaining rural interpersonal relationships.These songs full of local flavor,are full of the poet's philosophical thinking on the source of life,not only narrating the dialectical relationship between"human"and"land",but also expressing the poet's deep love for Mother Earth.He extends from the culture of"earth"to the culture of"village",from the cycle of life to the eternity of"earth",allowing readers to deeply appreciate the dependency of"humans"on"land"and the origin and destination of all life.He never considers the culture of rural China as backward,but loudly calls on the Chinese people not to forget the cultural roots of rural China,not to forget the selfless dedication of"land"and"farmer".He has been searching for the path of returning to his spiritual hometown.

关 键 词：生命感悟 臧克家 “泥土”崇拜 

分 类 号：I207.25[文学—中国文学]