苏轼“以赋为诗”与诗赋同源论  

Su Shi's Theory of "Taking Fu as Poetry" and the Homology of Poetry and Fu

作　　者：蔡凌 CAI Ling(School of Literature and Journalism,Guizhou Qiannan College of Science and Technology,Qiannan 550600,Guizhou,China;College of Literature,Guizhou Normal University,Guiyang 550025,Guizhou,China)

机构地区：[1]贵州黔南科技学院文学与新闻传播学院,贵州黔南550600 [2]贵州师范大学文学院,贵州贵阳550025

出　　处：《惠州学院学报》2024年第4期82-87,共6页Journal of Huizhou University

基　　金：贵州省教育科学规划重点课题(2022A007);国家社会科学基金重大项目(19ZDA249)。

摘　　要：赋源于诗骚,从汉代散体大赋,到两晋南朝至唐宋,赋体经历了诗化、骈化、散文化的发展演变阶段。以赋为诗,以文为诗都是文体之间互动互融现象,班固在其《两都赋序》中有评“赋者,古诗之流也”,《汉书·艺文志》有专门的“诗赋略”,《文心雕龙》也有诠赋篇作专门论证,曹丕《典论·论文》“铭诔尚实,诗赋欲丽”的定位,可以说从赋诞生之日起,就与诗和文密切相关,诗赋同源早有定论。宋明以降,赋从诗化走向散文化,赋作与散文的关系更加密切,苏轼就是赋的诗化向赋的散文化转变的关键节点。他是“以赋为诗”的最后辉煌,苏轼以赋法之心,赋学之迹作诗。铺陈、用典、排律、夸饰,运用这些赋法入诗,在尊体之上有所破体,苏轼以赋为诗提升了诗体的表达领域,成为诗赋同源的又一佐证。From the Han dynasty to the Jin and Southern Dynasties to the Tang and Song dynasties,the style of Fu experienced the development and evolution of poetic,parallel,and prose culture.Taking Fu as a poem and writing as a poem is a phenomenon of interaction and fusion between styles,Ban Gu has commented"Fu is the flow of ancient poetry",Han Shu Yi Wen Zhi has a special"Poem Fu",and Wenxin Diao Long also has a special explanation of Fu,Cao Pi's Treatise on Classics can be said to have been closely related to poetry and writing since the birth of Fu,and it has long been concluded that poetry Fu has the same origin.Since the beginning of the Song and Ming dynasties,Fu has changed from poetic to prose culture,and the relationship between Fu and prose is closer.Su Shi is the key node of the transition from poetic to prose culture.He is the last glory of"taking Fu as poetry",Su Shi wrote poetry with the heart of Fu and the trace of Fu study.His use of Fu as poetry has enhanced the expression field of poetic style,which is called another proof of the homology of poetry and Fu.

关 键 词：以赋为诗 诗赋同源 诗赋互渗 

分 类 号：I207.22[文学—中国文学]