四川成都瓷胎竹编工艺发展调查  

Investigation on Development of Bamboo-Over-Porcelain Handicraft in Chengdu,Sichuan Province

作　　者：陆漫西 李嘉[1] Lu Manxi;Li Jia(School of Design and Art,Changsha University of Science and Technology,Changsha 410000,China)

机构地区：[1]长沙理工大学设计艺术学院,长沙410000

出　　处：《世界竹藤通讯》2024年第4期108-112,共5页World Bamboo and Rattan

摘　　要：瓷胎竹编是四川成都地区独特的传统手工艺品,它融合了传统的瓷胎制作技艺与竹编工艺,具有独特的审美价值和文化内涵,2008年入选第1批国家级非物质文化遗产名录。然而,随着现代工业技术的发展和消费观念的变迁,瓷胎竹编这一传统工艺面临着严峻挑战。文章采用实地访谈和文献资料法,深入调查瓷胎竹编的发展历程、现状及其面临的挑战,以期为其制定传承和发展策略提供参考。瓷胎竹编工艺在成都地区发展起来得益于丰富的自然资源和深厚的人文底蕴。经过了起源形成、继承发展、传承创新3个发展阶段,通过个人、组织和文化3个层面的传承,其发展上总体呈现良好的局面,今后应更加注重在传统工艺的保护与创新发展中寻找平衡,从而应对现代社会的全新挑战。Bamboo-over-porcelain craft is a unique traditional handicraft in Chengdu,Sichuan province.Combining traditional porcelain making techniques with bamboo weaving,it has unique aesthetic value and cultural connotations.It was selected among the first batch of national-level intangible cultural heritage in 2008.However,with the development of modern technology and the changes in consumption,the traditional bamboo-over-porcelain craft is greatly challenged.This paper adopts the methods of on-site interviews and literature review to investigate the development process,current situation,and challenges of bamboo-over-porcelain handicraft,in order to provide references for formulating its inheritance and development strategies.The development of bamboo-over-porcelain craft in Chengdu benefits from abundant natural resources and profound cultural heritage.Going through three stages of development:origin formation,inheritance and development,and inheritance and innovation,the bamboo-over-porcelain craft has maintained a good development momentum at the individual,organizational,and cultural levels.In the future,more attention should be paid to achieving a balance between the protection and innovative development of traditional crafts,in order to meet the new challenges imposed by modern society.

关 键 词：瓷胎竹编 竹编工艺 传承与创新 非物质文化遗产 成都 

分 类 号：J528.5[艺术—艺术设计] J527