从抄配、借校到石印:徐乃昌刊印《说文解字韵谱》考  

From Copying and Borrowing to Lithography:A Study on Xu Naichang's Publication of Shuowen Jiezi Yunpu

作　　者：董婧宸[1] Dong Jingchen

机构地区：[1]北京师范大学民俗典籍文字研究中心、中国文字整理与规范研究中心

出　　处：《中国出版史研究》2024年第3期104-117,共14页Research on the History of Publishing in China

基　　金：北京师范大学中央高校基本科研业务费优秀青年创新团队项目“基于数字人文的《说文》学跨学科研究”(1233300008)的研究成果之一。

摘　　要：徐乃昌1925年自来青阁购得元种善堂本《说文解字韵谱》后,拟覆刻出版。徐乃昌请范兆经据《函海》本、李显本抄补缺叶缺字,又先后拟请黄侃、刘葆儒撰写校记,惜校记未能完成。最终,徐乃昌以自藏本《韵谱》为主要底本,又借瞿启甲所藏同版但较为晚印之《韵谱》配补缺叶,于1927年交鸿宝斋石印出版。徐乃昌的书籍出版,在《说文解字韵谱》之后,逐渐从雕版转向石印。梳理徐乃昌刊印《韵谱》的前后始末,也有助于推进对20世纪20年代沪上古籍出版情况的认识。In 1925,Xu Naichang acquired a Zhongshantang version of Shuowen Jiezi Yunpu from Laiqingge and decided to reprint it.He asked Fan Zhaojing to supplement the missing pages and characters by copying from Hanhai and Li Xian versions.He also asked Huang Kan and Liu Baoru to help to make the textual criticism,which unfortunately was not completed.Eventually,Xu Naichang used his own book as the primary source and borrowed a later-printed version from Qu Qijia's collection for supplementation.In 1927,he published Yunpu using lithographic technology through Hongbaozhai.After the publication of Yunpu,Xu Naichang gradually shifted from engraving to lithography.The study on the process behind Xu Naichang's publication of Shuowen Jiezi Yunpu will contribute to a deeper understanding of the publication of ancient books in Shanghai in the 1920s.

关 键 词：徐乃昌 《说文解字韵谱》 石印 出版 

分 类 号：H161[语言文字—汉语] G256[文化科学—图书馆学]