活态保护视域下民族民间戏剧的隐性知识研究——以湘西苗族蚩尤戏为例  

A Study on the Tacit Knowledge of Ethnic and Folk Dramas under the Perspective of Viable Protection:Taking the Chiyou Opera of the Miao Ethinic Group in Western Hunan as an Example

作　　者：刘洁 LIU Jie

机构地区：[1]怀化学院音乐舞蹈学院,怀化418000

出　　处：《原生态民族文化学刊》2024年第5期143-152,156,共11页Journal of Ethnic Culture

基　　金：国家社会科学基金项目“清代以来湘黔桂边区民族民间戏剧文化交融历程研究”(22MZB00375)。

摘　　要：通过对湘西苗族蚩尤戏的历史渊源、表演形式、文化内涵等方面的分析,揭示了蕴含其中的隐性知识,包括社会价值观、文化传统、生活哲学等。这些隐性知识在蚩尤戏的表演中得以体现,并通过传承人的口传心授得以流传。通过挖掘蚩尤戏所承载的隐性知识,可为保护和传承民族民间戏剧提供理论依据。This article reveals the tacit knowledge contained in the Chiyou Opera of the Miao ethnic group in Western Hunan by analyzing its historical origins,performance forms,and cultural connotations,including social values,cultural traditions,and philosophy of life.These tacit pieces of knowledge are reflected in the performance of the Chiyou Opera and have been passed down through the oral tradition and mentorship of its inheritors.By exploring the tacit knowledge carried by the Chiyou Opera,this study provides a theoretical basis for the protection and inheritance of ethnic and folk dramas.

关 键 词：民间戏剧 苗族 活态保护 蚩尤戏 隐性知识 

分 类 号：G95[文化科学]