晚明民窑青花瓷文人化的艺术社会学分析  

An Artistic Sociological Analysis of the Literati Style of Blue and White Porcelain in the Late Ming Dynasty

作　　者：张朝会 ZHANG Zhaohui(Jingdezhen Ceramic Institute,Jingdezhen,Jiang xi,333000)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《湖南包装》2024年第4期11-14,26,共5页

摘　　要：晚明是民窑发展的黄金期,这一时期民窑青花瓷深受文人造物思想的影响,呈现出文人化的发展趋势。民窑青花瓷的文人化发展不仅体现了当时文人的艺术思想,还反映出他们的生活面貌和道德理想,更可以透过民窑青花瓷这扇窗户,了解晚明的生活文化、物质文化、文化思潮以及社会发展状况。The late Ming Dynasty was the golden period of the development of the kiln.The blue and white porcelain of the kiln was deeply influenced by the creation thought of the literati,which showed the development trend of literati.The literati development of blue and white porcelain in Min-kiln not only reflects the literati's artistic thoughts at that time,but also reflects their life outlook and moral ideal.Through the window of blue and white porcelain,we can understand the life culture,material culture,cultural trend of thought and social development in the late Ming Dynasty.

关 键 词：晚明民窑 青花瓷 文人化 晚明士人 艺术社会学 

分 类 号：J527[艺术—艺术设计] K876.3[历史地理—考古学及博物馆学] K248.3[历史地理—历史学]