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作 者:戴一帆 李绍彬[2] DAI Yifan;LI Shaobin(Paisi College,Chongqing Technology and Basiness University,Chong qing,401520;School of Fine Arts,Chongqing Normal University,Chongqing,400047)
机构地区:[1]重庆工商大学派斯学院,重庆401520 [2]重庆师范大学美术学院,重庆400047
出 处:《湖南包装》2024年第4期31-33,共3页
摘 要:楚漆器是楚文化中的重要代表和支柱,是楚国艺术的结晶。随着近些年来对楚墓葬考古发掘的不断深入,大量精美的楚漆器出现在人们的视野中,通过对楚漆器艺术特征中的造型、色彩、装饰进行研究和分析,挖掘楚漆器深厚的文化和艺术内涵,对了解楚艺术和发扬传承楚漆器文化有着重要的意义。而在设计层面来说,通过对楚漆器艺术特征的探究,有利于将楚人的艺术智慧运用到现代的漆器设计上,让现代漆器设计与传统文化更好地结合,既丰富了设计文化内涵,也起到了宣扬传统文化的作用。Chu lacquerware is an important representative and pillar of Chu culture and the crystallization of Chu art.With the deepening of archaeological excavation of Chu tombs in recent years,a large number of exquisite Chu lacquerware have appeared in people's vision.Through the research and analysis of the shape,color and decoration of the artistic characteristics of Chu lacquerware,digging the profound cultural and artistic connotation of Chu lacquerware is of great significance for understanding Chu art and carrying forward and inheriting the culture of Chu lacquerware.In terms of design,the exploration of the artistic characteristics of Chu lacquerware is conducive to applying the artistic wisdom of Chu people to modern lacquerware design,so that modern lacquerware design and traditional culture can be better combined,which not only enriches the connotation of design culture,but also plays a role in promoting traditional culture.
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