元叙述的后现代写实性——《摩拉瓦河畔之夜》的叙事特色  

Postmodern Realistic Writing in Metafiction:A Study of Narrative Features in Peter Handke's The Moravian Night

作　　者：庞好农 Pang Haonong

机构地区：[1]广东外语外贸大学外国文学文化研究院

出　　处：《天津外国语大学学报》2024年第3期85-93,112,F0003,共11页Journal of Tianjin Foreign Studies University

摘　　要：彼得·汉德克在《摩拉瓦河畔之夜》里从文本建构、设问解惑和所指含混等方面建构了独具特色的元叙述,展现了小说对后现代写实性的反传统性和创新性。小说文本建构的写实性主要表现在复调的仿真性、旅程的串联性和画外音的补充性,揭示了人在大千世界中隐身于世的可能性和不可能性。汉德克采用了自问自答、自否式设问和自问无答的叙事方式建构小说里设问策略与写实求真的内在关联。他的含混叙事策略还从地方所指含混、人物所指含混和物体所指含混等方面来体现小说情节发展的张力,凸显元小说的叙事特征,展现含混手法中朦胧性和不确定性的艺术魅力,使文本叙事摆脱了传统写实的桎梏,获得了后现代性的叙事自治。In The Moravian Night,Peter Handke proposes the specific ways of metanarrative of textual construction,question posing and solving,and confused references to present the anti-tradition and creativity of postmodern realistic writing in the novel.The realistic writing in the novel finds major expression in the imitativeness of polyphonic narration,connection of journey stories and supplementarity of off-scene voices to disclose the possibility and impossibility of a person's hermitage away from worldly life.Handke also adopts the narrative ways of thinking to self,question setting with a negative answer and question setting without answers to set up the internal correlation between question setting tactics and truth seeking ways of this novel.His confused narrative strategy aims to structure the tension of plot development from confused reference to some places,persons and objects to highlight the narrative characteristics of metafictional narrative and artistic charms of unclearness and uncertainty,so as to obtain the postmodernity of narrative autonomy by keeping textual narration clear of the bondage of traditional realistic writing.

关 键 词：彼得·汉德克 《摩拉瓦河畔之夜》 元叙述 后现代 写实性 

分 类 号：I106.4[文学—世界文学]